* — January 28, 2021
niggas in the sun

after Ross Gay

 

my father was most memorable as he stood in sun.

when summer grew loud & boastful, his chain held

onto the light the same as his skin & the thin border

between the metal & the brown would vanish, the chain

disappearing into his chest. as he was the father &

as i was the son, he gathered the bits of stone & metal

he had left & pressed them together with some quick

torrid heat & pulled forth a smaller string 

of jewelry & he opened wide the new chain’s mouth

& let my head glide through so its lips were strung

along my shoulders & too often have i seen some niggas

put themselves inside the mouth of a divine & unseen animal.

there is nothing like a glow along your body to bring attention

to where you are most vulnerable, the ways the heart

or the neck may lead to your undoing & i think my father knew

this & blessed me nonetheless, an anointing in the silk folds

of a moonless night & on the night my father died

he covered his body in olive oil before drifting

into a far away & unforgiving sleep & they found him like this

in his bed with the oil lined along the curve of his stomach

like it would often line the fingers of a grandmother

before she said a prayer over a child’s warm forehead.

& so my father died slick & with favor, leaving the world

the same way i imagine he entered. my father, 

a glorious & polished thing. a fortune at heaven’s gates.

nothing hanging from his body but the thin thread of light

hanging from his neck. & look! —see? (the chain, the sunlight,

the heat’s long grin across our skin) it’s all related, friends.

sweat & touch & each one of our cravings. let me never forget

what i am even when i am not. body of tungsten, body of

summer. i’m a jewel, a perfect relic. my color is gold.

Originally published in No Tokens Issue No. 9. View full issue & more.
*

Bernard Ferguson (he/him and they/them) is a Bahamian poet and proser. By great luck, he’s the winner of the 2019 Hurston/Wright College Writers Award and the 2019 92Y Discovery Contest, among others. And, by the kindness of friends and editors, his work has been featured, published or is forthcoming in The National Art Gallery of The Bahamas, The New Yorker and The Georgia Review, and elsewhere. He’s currently working on a nonfiction project, The Climate Sirens (Graywolf, 2023), about Hurricane Dorian, the Alliance Of Small Island States, and how small islands have been facing the climate crisis for decades.

Read more of Bernard Ferguson’s work here and here.