* — August 16, 2022
Coastlines

I. La Pointe

 

an outcropping of rock

at the end of the world
 

where objects unlatched

from their explanations—
 

orange aureoles divorcing

from lampposts
 

the offshore blinking

of a barge drifting from port—
 

if I had then touched you

even your earlobe
 

& there felt the end

could be a kind thing
 

(the day slipping like a species

into forecast oblivion)
 

& while you white-

knuckled along the highway
 

I realized we’d left

our plastic cups and utensils
 

by the sea—

I couldn’t forget it
 

not even when your face

lapsed into ecstasy—
 

the sudden

detritus of private life
 

the litter

 

II. Tahlequah
 

the orca that mourned her calf

for 1,000 miles
 

is pregnant again
 

has she forgotten
 

is there still a small

stain on the slate of her brain
 

CNN streamed it—
 

J-35’s tour of grief
 

I too watched her nudge the body

forward & thought:
 

longing’s a handicap
 

a cold fin in your mouth
 

a whistled warning

against the laws of gravity

 

III. Cape Cod
 

the whine of marsh wind

Glenn Gould on vinyl
 

Glenn’s unquiet humming

you holding my hand—
 

One day I’ll take you to

La Pointe, you said
 

& Glenn’s chair squeaked

& Glenn misplaced his body
 

in devotion’s dark room

& pale birds & grasses
 

cut through the knife

of the marsh wind—
 

later you picked up the guitar

& sang the years
 

you lived near La Pointe—

wading through school
 

avoiding your father like

a piece of furniture at night—
 

& when you began whistling

a keen ache broke through me:
 

months past the end I still can’t

find the splinter’s entry

 

Originally published in No Tokens Issue No. 10. View full issue & more.
*
Lauren Peat‘s work has appeared in Asymptote, The Puritan, World Literature Today, and elsewhere. Her writing is also featured in the repertoire of acclaimed vocal ensembles across Canada. She lives in Vancouver, Canada, and at laurenpeatwrites.com.